This thesis consists of an original composition and an
analysis of it. Scored for a small orchestra, the Camerata
is approximately 16 minutes in length. The analysis deals
with general matters of structure as well as details of
harmonic organization that play a specific and prominent
role in this work.
The piece is to be perceived in four integrated sections.
Each section has its own characteristics. However,
the sequence from one section to another is functional, so
that the piece would not work if the sequence of sections
were arranged differently. Section B develops the thematic
material of section A. Section C is an outgrowth of section
B because of the exchange of the dynamic and static aspects
pertaining to harmony and melody. Moreover, as a unifying
element, these two central sections show tonal tendencies.
Section D rounds off the piece with a concealed texturally
decreasing formal design, which balances the crescendo and
texturally increasing overall shape of the first section. / Arts, Faculty of / Music, School of / Graduate
| Identifer | oai:union.ndltd.org:UBC/oai:circle.library.ubc.ca:2429/6996 |
| Date | 05 1900 |
| Creators | Bonaccorso, Jose Carlos |
| Source Sets | University of British Columbia |
| Language | English |
| Detected Language | English |
| Type | Text, Thesis/Dissertation |
| Format | 3947485 bytes, application/pdf |
| Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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