The two purpose of this paper are to present an abbreviated study of the following three movements for orchestra, and to examine two different aspects of serial techniques used in the first and last movements respectively. Each movement is basically in the same A B A form; each, however, represents an entirely different approach to composition. Of course there are areas common to all three movements (melodic content, fragmentation, orchestration), and it is hoped that a stylistic continuity is maintained.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1038879 |
| Date | 08 1900 |
| Creators | Warfield, Gerald |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | 1 score (iv, 14, 73 leaves) : ill., Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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