This quartet shows the composer's development from a highly chromatic, freely melodic, un-serialized style in movement I, through a still free, but disjunct, somewhat more ordered style in movement II, to a style in movement III which makes much use of serial techniques. This last usage, however, no longer employs the twelve-tone method in a stiff and fettered manner.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1038899 |
Date | 01 1900 |
Creators | Conyers, Carolyn C. (Carolyn Camille) |
Publisher | North Texas State University |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | 1 score (xxv, 44 leaves) : ill., Text |
Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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