This thesis addresses the question of mathematical involvement in music, a topic long discussed going all the way back to Plato. It details the mathematical construction of the three main tuning systems (Pythagorean, just intonation, and equal temperament), the methods by which they were built and the mathematics that drives them through the lens of a historical perspective. It also briefly touches on the philosophical aspects of the tuning systems and whether their differences affect listeners. It further details the invention of the Fourier Series and their relation to the sound wave to explain the concept of overtones within the tuning systems.
| Identifer | oai:union.ndltd.org:MSSTATE/oai:scholarsjunction.msstate.edu:td-6428 |
| Date | 13 May 2022 |
| Creators | DuBose-Schmitt, Michaela |
| Publisher | Scholars Junction |
| Source Sets | Mississippi State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
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