This thesis analyzes the research of various historical and literary theorists in relation to identification of Otherness in three Spanish works: Cantar de Roldán, Cartas marruecas, and La reina del sur. Throughout the thesis, I analyze hwo the discourse of identification of Otherness has progressed throughout these three works. Each work was chosen as a cultural artifact of its time. I begin the thesis with Cantar de Roldán and analyze how variation in faith served as primary demarcation of Otherness. I then analyze Cartas marruecas and how race also becomes an identifier of Otherness; I end the thesis analyzing La reina del sur and the role of racial discourse as the primary identifier of Otherness. / Master of Arts / This thesis analyzes the research of various historical and literary theorists in relation to identification of Otherness in three Spanish works: Cantar de Roldán, Cartas marruecas, and La reina del sur. Throughout the thesis, I analyze how the discourse of identification of Otherness has progressed throughout these three works. Each work was chosen as a cultural artifact of its time. I begin the thesis with Cantar de Roldán and analyze how variation in faith served as primary demarcation of Otherness. I then analyze Cartas marruecas and how race also becomes an identifier of Otherness; I end the thesis analyzing La reina del sur and the role of racial discourse as the primary identifier of Otherness.
Identifer | oai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/86446 |
Date | 18 December 2018 |
Creators | Weil, Amy Margaret |
Contributors | Foreign Languages, Cultures, and Literatures, Sierra, Sarah, Austin, Elisabeth L., Cana Jimenez, Maria D. |
Publisher | Virginia Tech |
Source Sets | Virginia Tech Theses and Dissertation |
Detected Language | English |
Type | Thesis |
Format | ETD, application/pdf |
Rights | In Copyright, http://rightsstatements.org/vocab/InC/1.0/ |
Page generated in 0.0018 seconds