This thesis explores Kazuo Ishiguro's six novels written in first-person narrative mode: A Pale View of Hills, An Artist of the Floating World, The Remains of the Day, The Unconso/ed, When We Were Orphans, and Never Let Me Go. The focus is on how Ishiguro's narrative techniques allow him to explore the themes of psychological disorder with which his work consistently engages, which will be identified here through use of ideas drawn from Sigmund Freud and from literary studies of trauma fiction. The argument will be divided into six chapters. In each chapter, one of Ishiguro' s novels will be studied thoroughly. Distorted narrative and the technique of transference of Etsuko in A Pale View of Hills are explored in chapter I. In chapter II, the research concerns particularly how Masuji Ono, the narrator of An Artist of the Floating World, who suffers from his demand to be respected and his indecisiveness in defining the sense of respect especially as a great artist. Chapter III deals with narrative of Stevens, an English butler, in The Remains of the Day, whose problem concerning his professional achievement in its relation to the idea of id, ego and superego. Chapter IV argues that The Unconsoled engages with how the dream-like narrative technique is developed in order to reveal Ryder's psychological problem, and how Ryder uses the dream-work mechanisms, especially displacement, to deal with his problem. Chapter V explores how When We Were Orphans works as detective fiction and how this relates to Christopher Banks' psychological problem, and, finally, in chapter VI, I examine the particular psychological problem articulated by the clone narrator of Never Let Me Go.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:760378 |
| Date | January 2018 |
| Creators | Duangfai, Chanapa |
| Publisher | University of Birmingham |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://etheses.bham.ac.uk//id/eprint/8499/ |
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