The thesis is a demonstration of an integrated methodology in the investigation of Chinese paintings. Section I outlines methods of analysis used by specialists in China, Japan and the West, and proposes their integration. Section II implements the Integrated Methodology in the identification of prime objects in a group of works attributed to Wu Zhen now in the National Palace Museum, Taipei. Section III presents a systematic method of investigating the non-genuine works, and charts their respective relationships to the prime objects and/or to each other. The findings clarify fundamental issues regarding period styles in the fourteenth and fifteenth centuries and challenge, by implication, long held assumptions of authenticity of a great many works labelled with Yuan dates. They invite a reconsideration of our methodology as well as our basic assumptions of style-images associated with particular masters.
Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:580794 |
Date | January 1987 |
Creators | Stanley-Baker, Joan |
Publisher | University of Oxford |
Source Sets | Ethos UK |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Source | http://ora.ox.ac.uk/objects/uuid:895704f6-8f4f-4c96-a329-51ab4b275c34 |
Page generated in 0.0017 seconds