The long tradition in the arts of the Hunt, domestic and exotic, as a surrogate for war in peacetime is reflected in the Amiens Hunting Series (1736-1739) along with influences from the waning years of Louis XIV and early trends in the reign of Louis XV. / Two of Francois Boucher's lesser known works form part of the Amiens canvases executed for Louis XV's private gallery at Versailles. Carle Van Loo, Charles Parrocel, Jean-Francois de Troy, Jean-Baptiste Pater and Nicolas Lancret contributed to the Series, but Boucher's work is unique due probably to his study of the hunts of Peter Paul Rubens and his reference to an older heritage represented by Antonio Tempesta who had already interpreted the natural wonders of the world as described by Pliny and others. / The seventeenth-century concept of the "noble huntsman" endures through the pivotal work of Boucher which constitutes the logical link between Rubens's Baroque expression and the Romantic extension of the theme by Eugene Delacroix.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.68712 |
| Date | January 1981 |
| Creators | Thomson, Shirley Cull. |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Doctor of Philosophy (Department of Art History) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 000139112, proquestno: AAINL10188, Theses scanned by UMI/ProQuest. |
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