The Crucifixion, a composition for three vocal soloists, four-part mixed chorus, and instrumental ensemble, is a setting of passages taken from the four Gospels of the Holy Bible. It describes the mocking of Christ and includes the Seven Last Words of Christ on the cross. It uses serial technique in the structuring of pitches and rhythm. Special attention is paid in designing and combining pitch and rhythm to create monophonic, homophonic and polyphonic textures. Besides traditional performance techniques, the work employs some modern vocal and instrumental techniques.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc501140 |
| Date | 12 1900 |
| Creators | Yang, Chuan-Tsing |
| Contributors | McTee, Cindy, 1953-, Cho, Gene J., Winsor, Phil, 1938-2012 |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | 1 score (lxxxvi, 29 leaves), Text |
| Rights | Public, Yang, Chuan-Tsing, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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