<p> The MFA Acting and Performance Pedagogy program at CSULB has inspired me to investigate non-psychological based acting techniques. These newfound techniques, coupled with my classical singing background, led me to discover how to perform with joy and ease. Sanford Meisner acting technique exercises effectively redirected my attention away from myself and onto my scene partner in singing and acting. In performance and teaching, I am able to utilize the Meisner technique to uncover what inhibits the actor’s attention and subsequently redirect their focus to the present moment. Declan Donnellan’s <i> The Actor and the Target</i> and Timothy Gallwey’s <i>The Inner Game of Tennis</i>, provide strategies to free the actor from inhibiting factors that prevent him/her from behaving naturally under imaginary circumstances. The use of all these concepts both in practice and performance allows actors to redirect their attention onto the imaginary circumstances and discover true freedom and joy in performance.</p><p>
| Identifer | oai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:10784104 |
| Date | 13 July 2018 |
| Creators | Soza, Jessica |
| Publisher | California State University, Long Beach |
| Source Sets | ProQuest.com |
| Language | English |
| Detected Language | English |
| Type | thesis |
Page generated in 0.0015 seconds