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The experience and perception of duration in three contemporary performances

I argue in this thesis that qualitative duration (viewed in opposition to the construct of quantitative clock-time) can be experienced through performance encounters that challenge smooth consumption. In a socially accelerated culture, where to do more in less time is the measure of a productive life, one’s connection with the ‘real’ time of duration is diminished. To challenge this premise, I have used an autoethnographic approach to explore an experience of duration conceived via the work of French philosopher Henri Bergson, who posits that “pure duration [is that which] excludes all idea of juxtaposition, reciprocal externality, and extension” (Bergson, 1903/1999, p. 26). In other words, Bergson asserts that duration defies quantitative measurement. I argue that the Bergsonian experience of duration offers a pause from social acceleration and effects a transformation for the spectator in the form of peak-experience, flow, and communitas.

Identiferoai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:704997
Date January 2016
CreatorsLayton, James R.
ContributorsWaite, Julian ; Harrop, Peter
PublisherUniversity of Chester
Source SetsEthos UK
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Sourcehttp://hdl.handle.net/10034/620372

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