Despite Bartók's lasting international fame, some of his works remain unjustly lesser-known. One of the pieces that still resides in relative obscurity is his Violin Concerto No.1—a gem of the violin repertoire that must be brought to the broader public's attention. The fact that the concerto was hidden definitely contributed to its little–known status at first. However, the most important cause for the lack of enthusiasm to tackle this terrific work lies in the unorthodox demands it puts on the violinist. The purpose of this paper is to provide musical and technical suggestions based on Bartók's performing style and on his requirements for performer, which will help to create a more persuasive interpretation of the piece. The guide covers the questions of character, articulation, dynamics, and other performance aspects, and also provides practical suggestions, such as fingerings and bowings. It is hoped that this study will help violin performers to gain additional knowledge and insight into this composition and encourage more frequent performances of it.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc283828 |
| Date | 08 1900 |
| Creators | Jobbágy, Szemoke |
| Contributors | Bushkova, Julia, Couturiaux, Clay, Haefner, Jaymee |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Jobbágy, Szemoke, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Lecture recital: April 21, 2013, ark:/67531/metadc177163 |
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