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The Againness of Vietnam in Contemporary United States Antiwar Choreography

<p> <i>The Againness of Vietnam in Contemporary United States Antiwar Choreography</i> examines eight twentieth- and twenty-first century postmodern antiwar choreographies in order to uncover the reverberations of Vietnam antiwar protests in these dances. The choreographies I examine in this study are Yvonne Rainer&rsquo;s 1970 <i>M-Walk</i> and 1970 (and 1999) <i>Trio A with Flags</i>, Wendy Rogers&rsquo; 1970 <i> Black Maypole</i>, Ann Carlson&rsquo;s 1990 <i>Flag</i> and 2006 <i>Too Beautiful A Day</i>, Miguel Gutierrez&rsquo;s 2001, 2008, and 2009 <i>Freedom of Information</i> (<i>FOI</i>), Jeff McMahon&rsquo;s 1991 <i>Scatter</i> and Victoria Mark&rsquo;s 2006 <i>Action Conversations: Veterans.</i> I theorize a concept called &ldquo;againness,&rdquo; in order to think through the multiple ways that repetitions specific to these particular choreographies continue to exist and to enact effects through time. I argue that repeated choreographic embodiment offers immediacy, nuanced response over time, expression through the bodies of former soldiers, and sites of mediated resistance such as live-streamed dance protest, to the United States public&rsquo;s commentary on and critique of war. I conclude that choreography&rsquo;s irregular and inexact repetitions are one of the ways that dance is especially apt for commenting on the large, never-ending, and ongoing traumas of the world such as war. My research extends established discussions about choreographic repetition and ephemerality, exchanging in questions of exactitude for conversations about impact. In particular, I show how the changes inherent to bodily repetitions reflect societal change, raise energy, garner power, and/or respond to current events. I study how politicized dances do not disappear after the time/space event of the initial performance, but instead linger on and reappear in unexpected moments. I thus parse out the many unbounded ways that protest choreographies happen again and again.</p>

Identiferoai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:3731833
Date03 November 2015
CreatorsDellecave, Jessica Spring
PublisherUniversity of California, Riverside
Source SetsProQuest.com
LanguageEnglish
Detected LanguageEnglish
Typethesis

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