Return to search

Gonzalo Castellanos-Yumar's Concerto for Viola and Orchestra (2003): A Phenomenological and Traditional Analysis of the Concerto with Consideration of its Stylized Venezuelan Folk Rhythms

The purpose of this lecture-recital document is to provide an overview of the musical form and stylized rhythms present in Gonzalo Castellanos-Yumar's Concerto for Viola and Orchestra, his last symphonic composition to date. Castellanos-Yumar has repeatedly stated that he creates in his music a link between "the Venezuelan" and "the Universal" through traditional musical forms. The core of this document is my analysis of the Concerto for Viola and Orchestra through the composer's phenomenological approach to music, which successfully integrates a traditional musical form, such as the Concerto, with stylized Venezuelan folk rhythms in order to bring "the Venezuelan" into "the Universal". Also, it includes an overview of nationalism in Venezuelan music, an updated biography, a list of works of the composer, and an introduction to phenomenology, its application to music and its relation to the work of Gonzalo Castellanos-Yumar, specifically his viola concerto.

Identiferoai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/215432
Date January 2006
CreatorsMelendez, Melissa Sybel
ContributorsXiao, Hong-Mei, Sturman, Janet, Rush, Mark
PublisherThe University of Arizona.
Source SetsUniversity of Arizona
LanguageEnglish
Detected LanguageEnglish
Typetext, Electronic Dissertation
RightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.

Page generated in 0.0017 seconds