<p> This thesis explores Derrida’s engagement with Plato, primarily in the texts “How to Avoid Speaking: Denials” and <i>On the Name.</i> The themes of participation and performance are focused on through an analysis of the concepts of <i>mystery</i> and <i> metaxy</i> (μεταξν). The crucial performative aspects of Plato and Derrida’s texts are often under appreciated. Neither author simply <i>says</i> what he means; rather their texts are meant to <i>do</i> something to the reader that surpasses what could be accomplished through straightforward reading comprehension. This enacted dimension of the text underscores a participatory worldview that is not just intellectually formulated, but performed by the text in a way that draws the reader into an event of participation—instead of its mere contemplation. On this basis, I propose a closer alliance between these authors’ projects than has been traditionally considered.</p>
| Identifer | oai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:1600990 |
| Date | 18 November 2015 |
| Creators | DiRuzza, Travis Michael |
| Publisher | California Institute of Integral Studies |
| Source Sets | ProQuest.com |
| Language | English |
| Detected Language | English |
| Type | thesis |
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