For 150 years, chemical photography had a privileged status as a truthful means of representation. The emerging technology of digital imaging is challenging this unique position. This paper proposes to examine the status of the photographic image in the digital age, as well as the debate surrounding the new technology and its implications. Chapter one begins with a brief technical history of the medium and establishes the construction behind the myth of photographic truth. Chapter two debunks the myth of photographic image's objectivity. Chapter three describes the specifities of digital imaging technology and discusses the potential problems and consequences of the invasion of digitally enhanced images in the media, as well as possible solutions. Finally, the fourth chapter considers the use of digital imaging in women's magazines and examines what such a use says about our society's values. By considering the issue of photo-manipulation, one can understand that manipulation expresses the human will to create a world of simulation.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.29826 |
| Date | January 1999 |
| Creators | Gavard, Sandra. |
| Contributors | Kaite, Berkeley (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Graduate Communications Program.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001686940, proquestno: MQ54990, Theses scanned by UMI/ProQuest. |
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