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Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay

This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for piano and electronics. By discussing the working process and giving the analysis of the original composition Alchemy for piano and electronics, this paper investigates the relationship between cause, source and spectromorphology, reflecting how the concept of energy-motion trajectory are embodied in this mixed electroacoustic work. Alchemy is a mixed composition for piano solo and 8-channel fixed electronics focusing on the gestural play and sonic expression. The live piano part explores the gestural sound played with a slide (cup), paper clip, and objects placed inside the piano. The 8-channel electronics part is mainly derived from the recorded acoustic piano. It extends the sonic potential of source materials and presents the diverse vectorial movements of spatialization.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1248402
Date08 1900
CreatorsWen, Bihe
ContributorsKokoras, Panayiotis, 1974-, Nelson, Jon Christopher, Stout, David, 1955-, Klein, Joseph, 1962-
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatvi, 74 pages : illustrations, music, Text
RightsPublic, Wen, Bihe, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.

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