The loss of personal meaning is explored by analogy through manipulation
of the relationship between musical content and its possible
interpretations. Recognized musical signals are used out of context.
Weightless signals are used in absolutely rigid and unified structures.
These approaches were brought to the stage before a
live audience in a
single recital on March 6, 1994.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:BVAU.2429/5441 |
| Date | 11 1900 |
| Creators | McKittrick, J. Cameron |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Relation | UBC Retrospective Theses Digitization Project [http://www.library.ubc.ca/archives/retro_theses/] |
Page generated in 0.0022 seconds