Indigenous communities, like the Bushmen of the Southern Kalahari, always attract
visitors who 'go there' to experience the 'life out there'. Travelling in their 4x4s, these
visitors also bring cameras and take pictures of their interactions with subject
communities as evidence of 'having been there'. For academics and journalists, these
pictures are meant to illustrate their presentations of 'what is actually there'. Both types
of photographs are known as ethnographic photography.
This study. asks and attempts to answer the question: how do we study ethnographic
photography? As much as photographers attempt to portray their subjects realistically,
their representations are often contested and criticised as entrenching subjugation,
displacement and dehumanisation of indigenous peoples through 'visual metaphors' and
other significatory regimes. This discussion reconsiders the concept of imaging others,
by offering an analytical semiotic comparison between Paul Weinberg's anchored and
published photographic texts of the Bushmen, on the one hand, and Sian Dunn's
unpublished, inactive texts of the #tKhomani Bushmen, on the other.
The discussion is an attempt to understand documentary photographers, processes of
producing of images, the contexts in which they are produced and how the communities
that are represented make sense of them. Concerns with the objectivity of representation
go beyond the taking and consuming pictures of other cultures. This study is, therefore,
grounded in cultural, social and ideological factors that shape the production and
consumption ofphotographic representations of and from other cultures. / Thesis (M.A.)-University of Natal, Durban, 2002.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:ukzn/oai:http://researchspace.ukzn.ac.za:10413/4609 |
| Date | January 2002 |
| Creators | Mlauzi, Linje Manyozo. |
| Contributors | Tomaselli, Keyan G. |
| Source Sets | South African National ETD Portal |
| Language | en_ZA |
| Detected Language | English |
| Type | Thesis |
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