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Borders and Bandaids

thresh-old
noun `thresh-`hold, `thre-`shold
_the sill of a doorway
_the entrance to a house or building
_any place or point of entering or beginning

A threshold can be understood as the visible or invisible division and demarcation of space. It is an age-old concept tracing back even to the first notions of urban space. The largest scaled gestures of thresholds are those lines and walls that divide nations and territories. All complexities of past and current geopolitical tensions simply derive from the interpretations and implementation of the walls and geopolitical lines—or lineaments. It is therefore crucial to comprehend the concept of lineaments on every scale, as it is the base idea that permeates all design. It is design in its purest form.

The following architectural argument will explore Leon Battista Albert's theory of lineaments, particularly the wall as an architectural element, as he spells out in his architectural treatise On the Art of Building in Ten Books. A closer look at Alberti's treatise and the idea of lineaments will help to better refine the definition and implementation of international borders and treatises. Reconsideration of a lineament in the slightest form has the potential to drastically change the execution and enforcement of a lineament in tangible materials and their assembly during construction.

The chosen design proposes a new U.S.-Mexico Joint Land Port of Entry along the border of Columbus, New Mexico, United State of America, and Puerto Palomas, Chihuahua, Mexico / Master of Architecture

Identiferoai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/56570
Date16 September 2015
CreatorsPolk, David Glen
ContributorsArchitecture, Piedmont-Palladino, Susan C., Breitschmid, Markus, Emmons, Paul F.
PublisherVirginia Tech
Source SetsVirginia Tech Theses and Dissertation
Detected LanguageEnglish
TypeThesis
FormatETD, application/pdf
RightsIn Copyright, http://rightsstatements.org/vocab/InC/1.0/

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