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Buzzing: post-9/11 Muslim male identity, stereotypes, and beehive metaphors

Echoing Edward Said’s Orientalism, and Homi Bhabha’s notion of the stereotype as mimicry (camouflage), this research project investigates the recent construction of a Muslim male identity as the Other and Self-Othering following the destruction by al- Qaeda of the World Trade Center on September 11, 2001, referred to colloquially as ‘post-9/11’. The fear of a bearded Muslim terrorist, of attacks from Muslim fundamentalist organizations, the distrust leading to extreme security measures and the subsequent laws contributing to the discrimination and radicalization of the Muslim community are analysed. This research identifies and explains the myths surrounding the Muslim cultural and religious practices relating to the traditional appearance of a Muslim male, specifically the beard and marks of prostration, along with associated imagery derived from the prayer rug, Muslim worship, Salat, and the mosque. Beehive metaphors in Western and Muslim art, history, literature and media are explored. The dualistic concepts surrounding the stereotypes and personifications that result in ‘otherness’ are the key aspects of this research. Using the binary nature of beehive metaphors, as well as both cultures’ propaganda about the West’s Crusade and Islam’s Jihad, the making of a post-9/11 Muslim identity as jihadi, martyr and terrorist are investigated, culminating in artworks comprising of self-portraiture, sculptures, prints, drawings and installation art. These express layers of interpretation of the clash of international political entities alongside the cultural contestations and religious belief systems within the Muslim culture, and reflections upon my own identity as a Muslim man divided between the East and the West. Due to its conceptual yet allegorical content, this research is descriptive, and is intended to lay the ground for future research aimed at examining the compounded variables of potential cultural clashes, religious conflicts, and political action.

Identiferoai:union.ndltd.org:ADTP/272601
Date January 2009
CreatorsSyed, Abdullah, Art, College of Fine Arts, UNSW
PublisherAwarded By:University of New South Wales. Art
Source SetsAustraliasian Digital Theses Program
LanguageEnglish
Detected LanguageEnglish
Rightshttp://unsworks.unsw.edu.au/copyright, http://unsworks.unsw.edu.au/copyright

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