Jonathan Lethem’s 2009 novel Chronic City and Colum McCann’s 2009 novel Let the Great World Spin can each be read as unique forms of the post-9/11 novel. In this study, I take up the argument that much of the established scholarship analyzing post-9/11 fiction often examines the same set of texts and frequently employs similar theoretical lenses, more often than not a specific form of trauma analysis. I argue that McCann and Lethem’s novels can each be read as unique forms of the post-9/11 novel for the way each work incorporates the Freudian processes of fetishism and disavowal into their respective narratives. In two close readings, I analyze each text to demonstrate how these processes function and what they offer both the authors and readers of the novels.
| Identifer | oai:union.ndltd.org:GEORGIA/oai:scholarworks.gsu.edu:english_theses-1166 |
| Date | 12 August 2014 |
| Creators | Conley, Richard |
| Publisher | ScholarWorks @ Georgia State University |
| Source Sets | Georgia State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | English Theses |
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