Abstract
The aim of this research paper is to investigate the allegorical and national qualities present
within South African post-apartheid cinema. Through the production of a satirical short film,
an analysis of key texts by Frederic Jameson and Aijaz Ahmad, as well as a comparative
breakdown of French and Australian national cinema, these topics will be explored and
unpacked. The South African film environment establishes itself as one dominated by
internationally produced films and one that utilises indigenous cultural aspects in order to
compete against this dominance. This study identifies the specific techniques employed by
South African filmmakers and highlights the successes and pitfalls of doing so. By examining
the film careers of Darrell Roodt and producer Anant Singh, this paper identifies South
African cinema as one with a focus on international goals, aspirations and audiences, while it
neglects its own local audience and development. This research then proposes ways in which
to resolve this problem by drawing on examples from other national cinemas.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/5959 |
| Date | 21 January 2009 |
| Creators | Oberholzer, Christoffel Johannes |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
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