This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the "other" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).
Identifer | oai:union.ndltd.org:WKU/oai:digitalcommons.wku.edu:theses-2440 |
Date | 01 November 2014 |
Creators | Hudspeth, Logan Matthew |
Publisher | TopSCHOLAR® |
Source Sets | Western Kentucky University Theses |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | Masters Theses & Specialist Projects |
Page generated in 0.0017 seconds