This project investigates the emergence of near-future fiction in the post-colonial African novel. Analyzing The Rape of Shavi (1983) by Buchi Emecheta, Osiris Rising (1995) by Ayi Kwei Armah, Wizard of the Crow (2006) by Ngugi wa Thiong'o, and Big Bishop Roko and the Altar Gangsters (2006) by B. Kojo Laing, I gauge the impact of African science fiction (sf) on issues of historicity, economics, statism and localized identities and how these have adapted or are adapting to an increasingly globalized and technophilic world. Identifying sf's roots in the European travelogue, I attend to the way each author codes technology in the text and the manners in which technophilic spaces exacerbate or ease the frequent tension between modernity and tradition in African literature. By reading these works against novels by, among others, Thomas Pynchon, Ishmael Reed, Robert Heinlein, and Chinua Achebe, I conclude that recent developments in the African sf novel offer a compelling critique on the genre's colonial heritage and have progressively indigenized sf by wedding it to local traditions of orature and myth. While Black African sf production has been historically overlooked in literary studies, it is important to revisit early moves in the direction of African near-future fiction in order to contextualize the rising interest in the genre on the part of African authors.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/D8TX3CZ1 |
| Date | January 2014 |
| Creators | MacDonald, Ian P. |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
Page generated in 0.014 seconds