In an era characterized by unprecedented ecological and technological change, Ontological Play: Reinventing (Machinic) Arts-Based Research in the Posthuman Era attempts to seed creative processes for educators, researchers, and artists to collaborate for the common good of planetary co-existence. Humanism and anthropocentrism have created precarious
conditions, and much is at stake. Here I consider the revolutionary potential of aesthetic
production, while engaging concepts such as mashup and remix as points of departure. In these
times of theory fatigue, this dissertation functions as a wayfinding device with both simple and
complex refrains that can be further sampled and repurposed. The aim is to reinvent social
practices and to learn to play, ontologically. / Graduate / 2023-01-28
| Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/13744 |
| Date | 23 February 2022 |
| Creators | Wainwright, Richard |
| Contributors | Prendergast, Monica, Emme, Michael J. |
| Source Sets | University of Victoria |
| Language | English, English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
| Rights | Available to the World Wide Web |
Page generated in 0.0017 seconds