White Painted Ware, the most identifiable of pottery types of the Middle Bronze Age on Cyprus, has been studied by scholars either with the view to creating chronological typologies or to tracing trade routes. Little attention has been paid to the technology and social organization of production of this pottery. This thesis is concerned with the potters as much as with the pottery. The production sequence is examined from clay selection through to decoration of the vessels. An attempt is made to isolate production centres with unique methods of vessel construction as well as preferences for certain shapes and decorative schemes. Using petrographic analysis, different fabrics are isolated within the ware, and these are in turn related to the groups of vessels created based on style. Similar fabrics are used in multiple sites and most sites were found to have used multiple fabrics to create pottery that is considered to be part of the White Painted ware group. Beneath the major differences in styles between sites are several minor variations in construction method and decoration that are more likely to represent choices made by individual potters or small groups of potters working together. Based on vessel shape and decoration, seven distinct production centres appear to have been manufacturing White Painted ware on Cyprus over the course of the Middle Bronze Age. These were not operating simultaneously, but appear to have been active at the time that their regions were most prosperous, linking the production and use of White Painted ware with political and economic power.
| Identifer | oai:union.ndltd.org:TORONTO/oai:tspace.library.utoronto.ca:1807/32716 |
| Date | 21 August 2012 |
| Creators | Gagne, Laura |
| Contributors | Knappett, Carl |
| Source Sets | University of Toronto |
| Language | en_ca |
| Detected Language | English |
| Type | Thesis |
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