Nicolas Poussin's landscapes, The Four Seasons, 1660-1664, have been the subject of extensive analysis because of their enigmatic character and the modulation in Poussin's style in his last years. The meaning of these representations has, however, remained cryptic and, to some extent, neglected. / This thesis attempts to make a contribution toward unravelling the mystery of The Four Seasons. These profound works reflect Poussin's religious persuasion, knowledge of which is essential to an understanding of them. Poussin's religious convictions, however, are difficult to discern with any precision; for, although he died a Catholic, he was closely associated with the progressive thinking that influenced religious belief in the Baroque age, much of which was rejected by the Church of Rome. / Nevertheless, Poussin was undoubtedly a devout Christian, inspired particularly by the early Christian Fathers and Stoics. It is in nature, above all, though, that he perceived God's presence and message which he strove to capture in his "altarpiece" to the seasons.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.59633 |
| Date | January 1990 |
| Creators | Challons, Siu |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of Art History.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001170715, proquestno: AAIMM66370, Theses scanned by UMI/ProQuest. |
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