by Linda Pui-ling Wong. / Thesis (Ph.D.)--Chinese University of Hong Kong, 1995. / Includes bibliographical references (leaves 277-299). / Acknowledgements --- p.i / Abstract --- p.iii / Abbreviations --- p.v / Chapter Chapter One --- Chinese Modernity Reconsidered --- p.1 / Chapter Chapter Two --- The Presence of the Pre-Raphaelites in China --- p.21 / Chapter Chapter Three --- The Cross-cultural Counterparts: The Pre-Raphaelite Brotherhood and the Crescent Moon Society in China --- p.44 / Chapter Chapter Four --- "New Images of Lovers: Chinese Adaptations of Dante Rossetti's ""The Blessed Damozel""" --- p.66 / Chapter Chapter Five --- The Lyrical and Melancholic Women: The Reconstruction of Christina Rossetti --- p.132 / Chapter Chapter Six --- Utopian Thinking in May Fourth China: The Rise of William Morris --- p.152 / Chapter Chapter Seven --- A Patriotic Model for Modern China: The Early W.B. Yeats as a New Romantic --- p.172 / Chapter Chapter Eight --- "The Chinese ""Decadents"": Indebtedness to Algernon Swinburne, Aubrey Beardsley and Oscar Wilde" --- p.193 / Chapter Chapter Nine --- "The ""Fleshly School of Poetry""in China?" --- p.244 / rllustrations --- p.272 / Glossary --- p.274 / Bibliography --- p.277
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_318339 |
| Date | January 1995 |
| Contributors | Wong, Linda Pui-ling., Chinese University of Hong Kong Graduate School. Division of English. |
| Publisher | Chinese University of Hong Kong |
| Source Sets | The Chinese University of Hong Kong |
| Language | English |
| Detected Language | English |
| Type | Text |
| Format | print, v, 299 leaves, [24] leaves of plates : ill. (some col.) ; 30 cm. |
| Coverage | China, 20th century |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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