This thesis engages in a counter-visual ethnography, using Alcatraz as a site to examine the workings of U.S. memorialization practices and visuality, specifically regarding carcerality. In examining the U.S.’s most popular site of penal tourism, this ethnography aims to provide new vantages from which to perceive of Alcatraz in relationship to the contemporary carceral moment. This is done in part by analyzing the processes of visuality through which hegemonic meanings of carcerality are circulated and consolidated at the site. The work is to at once see and unsee the ways Alcatraz is visually structured, in the process creating alternative ways to perceive of the site in its historical contingencies and relation with the wider workings of the carceral state.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1907 |
| Date | 01 January 2016 |
| Creators | Silver, Lauren F |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2016 Lauren F Silver, default |
Page generated in 0.0021 seconds