Arnold Schoenberg's String Quartet No. 1, Op. 7 stands out as being the first chamber music piece to use a vast number and variety of extended string techniques within one composition. This paper examines a brief history of extended string techniques in chamber music, analyses the unique ways in which Schoenberg applied extended string techniques to manipulate motives in his Op. 7 quartet, and ultimately shows that Schoenberg's use of extended string techniques influenced future composers to employ even more extended techniques and special effects in their own twentieth-century chamber music.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1011750 |
| Date | 08 1900 |
| Creators | Greenfield, Leah |
| Contributors | Bushkova, Julia, Schwarz, David, 1952-, Dubois, Susan |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 79 pages : music, Text |
| Rights | Public, Greenfield, Leah, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: November 5, 2013, ark:/67531/metadc917195, Recital: November 23, 2014, ark:/67531/metadc948534, Recital: March 8, 2016, ark:/67531/metadc1614989 |
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