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Previous issue date: 2013-02-22 / Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico / This study aims to analyze the relationship between music and religion in Max
Weber s life and work, in a perspective that combines its intellectual productions in
Sociology, in religion and art subfields. We developed a research in order to revisit
the concept of rationalization, present in Weberian thought, and also to discuss how
music and religion, as distinct spheres of life, star conflicts and alliances and build
particular attitudes of action in the world, having the appearance of a rationality
based on calculation in a central position to understand the construction of musical
technique in the West and the autonomy of aesthetic enjoyment from religious
enjoyment, previously linked. Regarding the procedure analysis, we built a symbolic
cartography, according to Santos (2000), from selected works of Max Weber, as
Religious rejections in the world and their directions (1982), among others. With
the activity, we identified similarities and differences between music and religion in
the author thoughts. We consider that the studied dimensions are important in
Weberian analysis of the constitution of modern society and its cultural system,
showing two distinct approaches to the issue of rationalization in the West / Este trabalho tem como objetivo analisar a rela??o entre m?sica e religi?o na vida e
obra de Max Weber, em uma perspectiva que alia suas produ??es intelectuais em
Sociologia, nos subcampos da religi?o e da arte. Desenvolvemos a investiga??o
revisitando o conceito de racionaliza??o, presente no pensamento weberiano,
discutindo tamb?m de que modo a m?sica e a religi?o, enquanto esferas distintas da
vida, protagonizam conflitos e alian?as e constroem atitudes particulares de a??o no
mundo, tendo o surgimento de uma racionalidade baseada no c?lculo uma posi??o
central para compreender a constru??o da t?cnica musical no Ocidente e a
autonomiza??o do gozo est?tico do gozo religioso, anteriormente vinculados. No que
concerne ao procedimento de an?lise, constru?mos uma cartografia simb?lica,
conforme Santos (2000), de obras selecionadas de Max Weber, como Rejei??es
religiosas do mundo e suas dire??es (1982), entre outras. Com a atividade,
identificamos aproxima??es e distanciamentos entre m?sica e religi?o no
pensamento desse autor. Consideramos que as dimens?es estudadas encontram
import?ncia nas an?lises weberianas da constitui??o da sociedade moderna e seu
sistema cultural, apresentando dois enfoques distintos do problema da
racionaliza??o do ocidente
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/13686 |
| Date | 22 February 2013 |
| Creators | Costa, Joicy Suely Galv?o da |
| Contributors | CPF:05676169400, alineguimaraes@hotmail.com, Lopes J?nior, Orivaldo Pimentel, CPF:94678766804, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4767289H0, Silva, Lenina Lopes Soares, CPF:10702555487, Germano, Jos? Willington |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Ci?ncias Sociais, UFRN, BR, Desenvolvimento Regional; Cultura e Representa??es |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/embargoedAccess |
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