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Previous issue date: 2017-12-21 / The main scope of this dissertation was to show Luiz Gonzaga 's musical and poetic role, at
the same time, poetic and prophetic - his voice, his stage performance, his costumes, his
accordions. Art, through which, singing the subalternity and suffering that were realities of the people of their region, gave them, however, a sense of hope and not of punishment. In this sense, some songs were selected from what was known as "The King of Baião" and his texts were compared with texts of some representatives of biblical prophecy, identifying that religion was the trace of similarity between the prophets and the northeastern poet of the Brazilian “Sertão”. Our research has concluded that the mystical experience, the sacredness of religious symbols, rituals, belief in a sustaining creator, sustainer, holder of power over rain, sun, forests, plantations, animals and humanity itself and everything that exists, are present in the life and songs of the singer, as they were in the life and words of the prophets of the Judeo-Christian tradition. / O escopo principal dessa dissertação foi o de mostrar o papel, ao mesmo tempo, poético e
profético, da arte musical de Luiz Gonzaga – sua voz, sua performance nos palcos, seus
trajes, suas sanfonas. Arte, através da qual, cantando a subalternidade e o sofrimento que
eram realidades do povo de sua região, deu a elas, no entanto, um sentido de esperança e
não de castigo. Nesse sentido, foram selecionadas algumas canções daquele que ficou
conhecido como “O Rei do Baião” e seus textos foram comparados com textos de alguns
representantes do profetismo bíblico, identificando que a religião era o traço de semelhança
entre os profetas e o poeta nordestino do Sertão brasileiro. Nossa pesquisa terminou por
concluir que a experiência mística, o sagrado dos símbolos religiosos, os rituais, a crença em
um criador mantenedor, sustentador, detentor de poder sobre a chuva, o sol, as florestas, as
plantações, os animais e a própria humanidade e tudo o que existe, estão presentes na vida
e nas canções do cantor, como estavam na vida e nas palavras dos profetas da tradição
judaico-cristã.
Identifer | oai:union.ndltd.org:IBICT/oai:tede2.unicap.br:tede/1007 |
Date | 21 December 2017 |
Creators | Pereira, Eveton Guilherme |
Contributors | Marques, Luiz Carlos Luz, Chaves, José Afonso, Freitas, Nainôra Maria Barbosa de, Cabral, Newton Darwin de Andrade |
Publisher | Universidade Católica de Pernambuco, Mestrado em Ciências da Religião#, #5468223359720387896#, #500, UNICAP, Brasil, Departamento de Pós-Graduação#, #-8854052368273140835#, #500 |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Format | application/pdf |
Source | reponame:Biblioteca Digital de Teses e Dissertações da UNICAP, instname:Universidade Católica de Pernambuco, instacron:UNICAP |
Rights | http://creativecommons.org/licenses/by-nc-nd/4.0/, info:eu-repo/semantics/openAccess |
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