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“Just What Was It That Made U.S. Art So Different, So Appealing?”: Case Studies of the Critical Reception of American Avant-Garde Painting in London, 1950–1964

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Identiferoai:union.ndltd.org:OhioLink/oai:etd.ohiolink.edu:case1231265965
Date29 June 2009
CreatorsSpicer, Frank G., III
PublisherCase Western Reserve University School of Graduate Studies / OhioLINK
Source SetsOhiolink ETDs
LanguageEnglish
Detected LanguageEnglish
Typetext
Sourcehttp://rave.ohiolink.edu/etdc/view?acc_num=case1231265965
Rightsunrestricted, This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.

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