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Barbie's wearing "phat" pants : rave culture, emergence to convergence

Since its beginnings a decade ago, the mass media, niche media, subculturalists and participants alike have fumbled around cumbersome descriptions and depictions of the essence of rave. For outsiders, rave may symbolize difference, defiance, escapism and meaningless hedonism. For insiders, rave can mean transgression, transcendence, freedom, unity and meaningful fun. / All rave elements, such as the lights, lasers, stomping feet, raised arms in ecstatic bliss, the DJ and the ceaseless beats seem to synchronize in a unifying pulse. As communal as rave's facade may seem, the experience is wholly personal. Rave has been disseminated to undeveloped nations, and remote towns; as it grows in one area it decays in another and morphs into another sub-scene, dress code, venue, and soundscape. As an insider stepping outward, I peer into my memories of rave and catalogue of blissful moments in an attempt to articulate its essence and its cyclical perpetuation.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.31120
Date January 2000
CreatorsMcCall, Tara.
ContributorsStraw, Will (advisor)
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Department of Art History and Communication Studies.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 001808081, proquestno: MQ70298, Theses scanned by UMI/ProQuest.

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