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Nároky na funkci hudební režie v digitálním vícestopém nahrávacím procesu / REQUIREMENTS OF RECORDING DIRECTION IN THE DIGITAL MULTICHANNEL RECORDING PROCESS

Recording direction became during 20-century full-fledgede artistic profession.
It has developed next to the recording technology from the first hints alongside the
phonofraph up to indespensable part of the digital multichannel recording process. Its
story has filled the lives of many significant personalities, especially composers,
conductors, musicologists. Theirs artificial credit corresponds the difficulty, ensuing
the principle of the sound record – mirror of the musical composition and its unique
interpretation. The interest to research the spirit of recording direction has emerged
from vagues opinions about function of the recording direciton and the sound
engineer. Where are theirs mutual boundaries.
The listening of a record doesn’t show the influence of the recording direction
during its creation. It is possible to co mpare to day knowledge of recording direction
posture with the memoirs important personalities artificial world and recording
industy. Historical sources and literature are next to the historial recordings only
sources of information.
The mapping of all the activities of the recording direction and detailed
classification rice a division, innternally strongly linked with phases of recording
process and types of recordings. They are parallel actions with high pretention of
concentration. Umbrella – feature of recording direction is psychology of the
communication with the interpreters and the members of recording crew. The
recording direction is a part of the recording proces even out of big procuctions of
complicated projects. Recorded music needs the supervision and to be assessed
from the point of view of the sound quality and musical content of the interpretation,
which are stored in the record unchangeable. Recording direction is latently present
in every recording project, albeit done by some other vicarious person.

Identiferoai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:390785
Date January 2018
CreatorsStejskalová, Sylva
ContributorsTICHÝ, Vladimír, ŠTILEC, Jiří
PublisherAkademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna
Source SetsCzech ETDs
LanguageCzech
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/doctoralThesis
Rightsinfo:eu-repo/semantics/restrictedAccess

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