In this paper, I investigate the idea of cross-community professional theatre as a means of dissolving fixed georgraphical landscapes. Key to this is the synergy between mainstream and community theatre, out of which this idea emerges. I explore how theatre facilitates conversations across differences. 'Differences' encompass questions of geographical, class and racial divides as well as the ideological differences between mainstream and community theatre. Cross-community professional theatre involves working with people from different communities around specific issues. Professional actors work alongside non-professional actors from communities to create a piece of theatre. Community members are involved in the process as well as in the performance. Cross-community refers not only to the exchange between professional actors and non-professional actors, but also to the idea of theatre providing a framework for conversations between different communities.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/8034 |
| Date | January 2005 |
| Creators | Matchett, Sara |
| Contributors | Banning, Yvonne |
| Publisher | University of Cape Town, Faculty of Humanities, Department of Drama |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Master Thesis, Masters, MA |
| Format | application/pdf |
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