This dissertation explores the reflexive and performative practices found in Mocha Jean Herrup's documentary work, POM, LESBIANFILM, and A FEW GOOD DYKES. By exploiting realism's failure to ever fully represent, reflexive and performative techniques enable a queer discourse. These techniques create 1) a parodic premise that calls attention to the disjunction between documentary's legitimizing conventions and queer as a viable subject, 2) a subjectification of the insider-outsider that troubles distinctions between the audience and the subject and the filmmaker and the subject, and 3) enables the embodied knowledge of queer subjectivity to emerge. / text
| Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/29822 |
| Date | 13 May 2015 |
| Creators | Herrup, Amy E. |
| Source Sets | University of Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | electronic |
| Rights | Copyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works., Restricted |
Page generated in 0.0024 seconds