Return to search

地方儀式與儀式劇: 以廣西岑溪地區南渡鎮為例 = Local ritual and ritual drama : the case of Nandu Town, Cenxi, Guangxi. / Local ritual and ritual drama: the case of Nandu Town, Cenxi, Guangxi / Di fang yi shi yu yi shi ju: yi Guangxi Cenxi di qu Nandu Zhen wei li = Local ritual and ritual drama : the case of Nandu Town, Cenxi, Guangxi.

本文的主旨在於探討儀式傳統向戲劇轉化的問題。本文以岑溪市南渡鎮地方儀式傳統為基礎,從社會綜合市鎮格局形成、儀式傳統中的基本儀式形態、作為戲劇化載體的儀式劇形態,以及儀式劇在整個儀式傳統中的定位與脈絡等方面,對「儀」與「戲」在特定社會轉變背景下的關係作出深入的探究。 / 本文分七章就上述論題展開論述。第一章為緒論部分,主要涉及研究緣起、地方儀式傳統與儀式劇研究回顧、問題意識形成以及研究資料方法等內容。 / 第二章集中論述自清乾隆年間起,南渡鎮因鹽課政策的改變逐漸形成了綜合性市鎮,為南渡儀式傳統的形成打下了物質基礎。 / 第三章主要論述南渡儀式傳統的基本形態,包括相關家族移民史、道法源及當地紅事、白事、神事的表演形態。南渡道館存有兩部主要儀式劇:《枉府西遊》與《八仙下凡》,均形成於清中晚期,且衍生於當地道館中的民間佛教信仰。 / 第四章論及南渡道館中的「喃嘸」傳統。南渡「喃嘸」傳統具有廣府與客家融合,茅山、玄科、儀式佛教合而為一的地方「喃嘸」特色。 / 第五章探究南渡「喃嘸」傳統的戲劇化現象。 / 第六章探討南渡「喃嘸」傳統中「儀」與「戲」的互動。 / 第七章為本文結論。 / This dissertation focuses on the question of the theatricalization of local ritual tradition. Our study concentrates on the local ritual tradition in a community town of Nandu, Cenxi. We study the process of theatricalization of local ritual tradition and the relationship between "ritual" and "drama". / This dissertation consists of seven chapters. Chapter one is an introduction which defines the research question and methodology. It also includes a literature review on local ritual tradition and ritual drama. / Chapter two discusses the historical process of urbanization of Nandu Town since Qianlong in relation to the change of tax policy on salt and the emerging need for entertainment of the newly formed town. / Chapter three investigates the forms of ritual in Nadu. There are two main ritual dramas: the Western Travel drama (枉府西遊) and the Eight-Immortals (八仙下凡), both of which formed in late Qing and developed from ritual Buddhism. / Chapter four studies the ritual tradition of Nandu. The ritual is fundmentally made up of three religious sects: Maoshan teachingm , Xuan teaching, as well as ritual Buddhism . / Chapter five focuses on the dramatization of the ritual tradition of Nandu. / Chapter six disscuses the interaction between ritual and drama in Nandu tradition. / Chapter seven is the conclusion of this dissertation. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 謝健. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 180-197). / Abstracts also in English. / Xie Jian.

Identiferoai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_1202883
Date January 2015
Contributors謝健 (author.), 譚偉倫 (thesis advisor.), Chinese University of Hong Kong Graduate School. Division of Religious Studies. (degree granting institution.), Xie, Jian (author.), Tan, Weilun (thesis advisor.)
Source SetsThe Chinese University of Hong Kong
LanguageChinese, English
Detected LanguageEnglish
TypeText, bibliography, text
Formatelectronic resource, electronic resource, remote, 1 online resource (ix, 197 leaves) : illustrations, computer, online resource
Coverage中國, 南渡鎮, 中國, 南渡鎮, China, Nandu Zhen, China, Nandu Zhen
RightsUse of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/)

Page generated in 0.0024 seconds