This dissertation explores the breadth of underperformed early bassoon concertos available to the 21-century bassoonist. This is done through a survey of three bassoon concertos from the late 18th century: Concerto in C Major by Antonin Reichenauer, Concerto in B-flat Major by J.C. Röllig, and Concerto in B-flat Major by Capel Bond. The dissertation includes the analysis of the ritornello form, the interaction between tutti and solo, and pedagogical implications for early bassoon concertos.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc2356153 |
Date | 07 1900 |
Creators | Ridge, Caden Wyatt |
Contributors | Hale, Darrel T., Leenhouts, Paul T., Choi, Jung |
Publisher | University of North Texas |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | Text |
Rights | Public, Ridge, Caden Wyatt, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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