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Previous issue date: 2016-09-30 / O presente trabalho traz um levantamento dos estudos desenvolvidos no ?mbito do mestrado em m?sica junto ? Universidade Federal do Rio Grande do Norte ? UFRN, numa proposta que aborda a ?pera de c?mara Maroquinhas Fru-Fru, do compositor Ernest Mahle. Para tanto, ? tra?ado um panorama da ?pera brasileira e seu comportamento nos principais teatros l?ricos do pa?s no tri?nio 2014-2016, numa contextualiza??o que se apoia em autores como NEVES (1981), KATER (2001), HARTKOPF (2010), e as compila??es de VOLPE (2012), al?m de relacionar os dados colhidos da plataforma Operabase com os colhidos do censo 2010, do IBGE. A pesquisa bibliogr?fica inclui um brev?ssimo relato biogr?fico dos autores da obra (compositor e libretista), al?m de reflex?es acerca do libreto e da m?sica, abordando as bivocalidades do discurso na ?pera infantil e as ferramentas composicionais nela empregadas. Autores como SCHERCHEN (1933), RUDOLF (1993), BOWEN (2003) e outros v?m fundamentar as considera??es referentes ?s t?cnicas de reg?ncia e sua aplica??o ao g?nero oper?stico, bem como as especificidades que a obra em estudo imprime ao regente. Por fim, no intuito de dar vaz?o ?s pr?ticas musicais do nosso tempo, o que se revela como uma necessidade art?stica a ser impregnada na veia formadora dos novos m?sicos e dos novos p?blicos, tem-se o relato das fases preparat?rias da Cortina L?rica realizada em Campina Grande/PB, apontando para as implica??es da montagem desta obra no nordeste brasileiro e mostrando algumas das const?ncias e inconst?ncias de uma produ??o na atual conjuntura. / This study takes place a data collection from the research developed under the master degree in musical conducting at the Universidade Federal do Rio Grande do Norte - UFRN, a proposal that includes an approach of the camera opera Maroquinhas Fru-Fru, from the composer Ernest Mahle. For this, is delineated a panorama of Brazilian opera and your behavior in main opera houses of the country in the triennium 2014-2016, with the contextualization supported by authors like NEVES (1981), KATER (2001), HARTKOPF (2010), and VOLPE's compilation (2012), besides related the data collected from the Operabase plataform with the data of Brazilian cense 2010. The bibliographical research includes a very brief biographical account of the authors of the work (composer and librettist), besides reflections about the libretto and the music, addressing the discourse multivocality in the opera for children and the compositional tools used in it. Authors like SCHERCHEN (1933), RUDOLF (1993), BOWEN (2003) and others comes give support the statements about conducting techniques and their application in the operatic genre, as well as the specifics that the work requires of the conductor. Finally, in order to give vent to the musical practices of our time, which is revealed as an artistic need to be ingrained in the formation of new musicians and new audiences, we have an experience report of the preparatory stages of lyrical recital held in Campina Grande city, pointing to the implications of the assembly this work in northeastern Brazil and showing some of the constancies and inconstancy of a production in the current situation.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/22643 |
| Date | 30 September 2016 |
| Creators | Silvestre, Gunnar Menezes |
| Contributors | 38669595400, http://lattes.cnpq.br/3225501994217880, Gonzaga, Maria Clara de Almeida, 77622154768, http://lattes.cnpq.br/2744540217648868, Passos, Lu?s Ot?vio Teixeira, 01333405626, http://lattes.cnpq.br/4695796070666672, Oliveira, Andr? Luiz Muniz |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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