In my work, traditional printmaking techniques are pushed to their limits as a foundation for cut-paper installations and sculptures. The work reflects on notions of interiority and exteriority in relation to the body and nature, drawing from my experiences in meditation to create a two and three-dimensional visual play primarily using paper. Because of their illustrative looseness, the biomorphic structures convey a variety of sensations, shapes, and movements that are related to the interior of the body and exterior forces in nature. In this report, I plan to discuss topics of process, materiality, sensation, objecthood and phenomenology within the context of my work and as these topics relate to other artists such as: Lee Bontecou, Francis Bacon, Oskar Fischinger, Richard Serra, and Judy Pfaff. I also plan to indicate a contemporary and art historical context for the work, placing my pieces within a specific canon of visual culture. / text
| Identifer | oai:union.ndltd.org:UTEXAS/oai:repositories.lib.utexas.edu:2152/26400 |
| Date | 09 October 2014 |
| Creators | Salazar, Samantha Parker |
| Source Sets | University of Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
Page generated in 0.0017 seconds