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Two projects in sound recording involving underground rock music / Friction: replicant walk

This thesis explores the sound recording aspects encountered on the creation of an album containing Rock music. It follows each project from the recording of the basic tracks through the final album mixes. Microphone technique, signal processing, studio setup, and instrument selection are also dealt with. This thesis documents two separate recording projects.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.61248
Date January 1989
CreatorsMartin, Bryan
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Music (Faculty of Music.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 000969518, proquestno: AAIMM75855, Theses scanned by UMI/ProQuest.

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