Thesis (Ph.D.)--Boston University / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / The music-painting analogy had a pervasive influence on American early modernist art criticism, theory, and painting. Music became an
aesthetic model and a theme in painting, and, for some artists and critics, music,
particularly jazz and "noise music," expressed the energy of modern America.
This dissertation addresses these aspects of the music-painting analogy, using
Arthur G. Dove, John Marin, and Joseph Stella as case studies. / 2031-01-01
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/38014 |
| Date | January 1988 |
| Creators | Cassidy, Donna |
| Publisher | Boston University |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
Page generated in 0.0019 seconds