The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others

Description

xxii, 169 leaves : ill.

Links & Downloads

1. call-no: 379 N81d no.3875
2. local-cont-no: 1002720939-yates
3. untcat: b1767768
4. https://digital.library.unt.edu/ark:/67531/metadc278964/
5. ark: ark:/67531/metadc278964

Tags

Spanish guitar

baroque style

Saldivar Manuscript

Santiago de Murcia

Passacalles y obras de guitarra

Saldívar codex, no. 4.

Guitar.

Music -- Spain -- 18th century.

Additional Fields

Identifer	oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278964
Date	12 1900
Creators	Yates, Stanley
Contributors	Johnson, Thomas (Guitarist), Collins, Michael (Michael B.), 1930-2011, Dworak, Paul E., 1951-, Hyde, Jeannine
Publisher	University of North Texas
Source Sets	University of North Texas
Language	English
Detected Language	English
Type	Thesis or Dissertation
Format	The study comprises an examination of late Spanish baroque guitar style as represented in the Saldivar Manuscript, the recently rediscovered companion volume to Santiago de Murcia's five-course guitar tablature Passacalles y obras de guitarra of 1732., Text
Rights	Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Yates, Stanley