The Elizabethan poet Samuel Daniel was popular in his day, producing lyric, dramatic, and narrative poems. Contemporary anthologies, however, memorialize him primarily as a lyric poet, one that usually gets few entries. My thesis shows how Daniel had a minor reputation as a lyric poet by the 1960’s, despite having high-profile admirers. These well-known poet-critics who engaged with his work are essential to analyzing his lyric reputation: owing to the Romantic emphasis on the lyric, I begin with William Wordsworth and Samuel Taylor Coleridge’s reception of his lyrics in the 19th century. I then analyze the turn of the century poet A.E. Housman’s glowing praise and end with the lukewarm reception of two 20th century Modernists, T.S. Eliot and Yvor Winters. I argue that, despite the enthusiasm of Coleridge and Housman, his lyrics failed to attract enough admirers, in part contributing to the current status of these poems.
| Identifer | oai:union.ndltd.org:ETSU/oai:dc.etsu.edu:etd-5339 |
| Date | 01 December 2020 |
| Creators | McGhee, Caleb |
| Publisher | Digital Commons @ East Tennessee State University |
| Source Sets | East Tennessee State University |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Electronic Theses and Dissertations |
| Rights | Copyright by the authors. |
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