One seldom comes across felicitous love in nineteenth-century French literature. Viewed in an unfavourable light, being looked upon as sheer utopianism, felicitous love never quite made it as a major theme in fiction. But idealized as it is in the works of George Sand, this particular topic never ceases to be true to life: the "weltanschauung" in which it originates is far too focused on the realm of reality for love to be put through senseless poetising. To highlight this singularity, this essay focuses on the love symbolic in three George Sand's novels, Indiana (1832), Le Meunier d'Angibault (1845), and Le Marquis de Villemer (1860), by going into the heroine's quest for the ideal. Contemplated with the romantic presupposition (that of the self versus society), this particular quest is subjected to a plural approach (ideological, chronotopical, initiatory) likely to fathom out a symbolic inherent to a writer known after all as "la romanciere de l'amour".
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.21234 |
| Date | January 1998 |
| Creators | Iezzoni, Nadia. |
| Contributors | Duquette, Jean-Pierre (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | French |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Département de langue et littérature françaises.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001659833, proquestno: MQ50539, Theses scanned by UMI/ProQuest. |
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