Previous research on framing has proved its strong effects on the social perception and political preferences of individuals. Therefore, the aim of this research is to explore how Saudi women's issues have been framed in a sample of United States and Saudi newspapers. Saudi Vision 2030 is the post-oil plan for the Kingdom of Saudi Arabia that was announced on April 25, 2016. The sample of this thesis was 300 news stories from eight newspapers. The U.S. newspapers were the New York Times, the Washington Post, the Wall Street Journal, and the Los Angeles Times. The Saudi newspapers were Al Riyadh, Okaz, Al Jazirah, and Al Watan. This thesis explores how these issues have been covered before and after Saudi Vision 2030 by answering five basic questions.
Quantitative and qualitative methods were used to analyze the news stories. For the quantitative analysis, five pre-defined generic frames from Semetko and Valkenburg were adopted: conflict frame, human interest frame, morality frame, economic consequences frame, and responsibility frame. An inductive approach to find the new frames was used for the qualitative analysis. Moreover, this thesis looked at how U.S. and Saudi newspapers have visually framed Saudi women through an analysis of the types of images used in the news stories related to Saudi women's issues. The main finding suggests that within the used frames in the newspapers, the U.S. newspapers focused more on the human-interest frame, while the Saudi newspapers mostly used the economic frame. Furthermore, the types of issues covered are discussed.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1752368 |
Date | 12 1900 |
Creators | Dawshi, Norah |
Contributors | Mueller, James, Fuse, Koji, Foote, Cornelius |
Publisher | University of North Texas |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | vi, 59 pages, Text |
Coverage | Saudi Arabia |
Rights | Public, Dawshi, Norah, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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