This study examines the finale of Beethoven's choral symphony and focuses on its inspirations and aims to invoke critical theories involving genre, namely genre's "horizon of expectation", and lead to an enriched perspective that points toward a number of compelling aspects of the Choral Finale overlooked by previous commentators.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc935728 |
| Date | 05 1900 |
| Creators | Parsons, James, 1956- |
| Contributors | Collins, Michael (Michael B.), 1930-2011, Bush, Deanna D., Olsen, Solveig, Sovik, Thomas Paul |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xi, 479 leaves : ill., music, Text |
| Rights | Public, Parsons, James, 1956-, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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