Arnold Schoenberg's atonal monodrama, Erwartune. Op. 17 (1909). has been viewed as an unanalyzable athematic aberration, without any discernible form. Recognizing Erwartune's forward-looking aspect, this dissertation also explores the melodrama and the Lied, a connection with the past which forges a new understanding of its form and structure.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc330712 |
| Date | 12 1900 |
| Creators | Penney, Diane Holloway |
| Contributors | Collins, Michael (Michael B.), 1930-2011, Clark, Thomas Sidney, Bush, Deanna D., Olsen, Solveig |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xvi, 384 leaves: ill., music, Text |
| Rights | Public, Penney, Diane Holloway, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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